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Sie jetzt sehen können eine komplette Beschreibung The Day After Tomorrow unten:
- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Nassim Sharara (Saudi Delegate), Russian Astronaut), Dash Mihok (Jason Evans), Russell Yuen (Hideki, Kenneth Moskow (Bob), Austin Nichols (J.D.), Vitali Makarov (Yuri, Ian Holm (Terry Rapson), Emmy Rossum (Laura Chapman), Arjay Smith (Brian Parks), Christian Tessier (Aaron), Nestor Serrano (Gomez), John Maclaren (Veteran Scientist), Tamlyn Tomita (Janet Tokada), Jake Gyllenhaal (Sam Hall), Dennis Quaid (Jack Hall), Sasha Roiz (Parker), Christopher Britton (Vorsteen), Japanese Astronaut), Kenneth Welsh (Vice President Becker), Glenn Plummer (Luther), Carl Alacchi (Venezuelan Delegate), Mimi Kuzyk (Secretary of State), Jay O. Sanders (Frank Harris), Michel 'Gish' Abou-Samah (Saudi Translator), Perry King (President Blake), Sela Ward (Dr. Lucy Hall), Adrian Lester (Simon), Richard Zeman (Flight Director)
The Day After Tomorrow der größte film produziert von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, mit einem Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und feinsten mit Schauspielern.
Sie Zeit sind beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in hoher Qualität zu denken, dass hat zu sein freigegeben innerhalb Ihres Land. erhalten Sie Ihre Favoriten sofort movie, für die drücken eines Leistungsschalters! mit uneingeschränkt Anzahl der Bandbreite und Inhalte zu streamen, zu beobachten was Sie suchen, wann du willst!
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Sound Designer : Ann Scibelli, Location Manager : Lily Flaschner, Dialogue Editor : James Matheny, Stunts : Marcello Bezina, Software Engineer : Chamberlain Fong, Still Photographer : Takashi Seida, Rigging Gaffer : Frank Dorowsky, First Assistant Sound Editor : Victor Ray Ennis, Sound Designer : Alan Rankin, Best Boy Electric : Edison Jackson, Construction Coordinator : Alain Brochu, Visual Effects Supervisor : Colin Strause, Systems Administrators & Support : Joe Ardent, Musician : Maria Newman, Pre-Visualization Supervisor : Daniel Fort, First Assistant Editor : Quincy Z. Gunderson, Sound Recordist : Tim Gomillion, First Assistant Editor : Robert Berman, Assistant Production Coordinator : Guylaine Boucher, Techno Crane Operator : Richard Boucher, Post Production Assistant : Jeff Schweikart, Leadman : David M. Milstien, Hairstylist : Sandy DeBlasio, Casting : Randi Wells, Creature Technical Director : Vijay Myneni, Visual Effects Supervisor : Rocco Passionino, Finance : Linda Strause, Line Producer : Tavin Marin Titus, Art Direction : Réal Proulx, Craft Service : Chris Winn, Set Designer : Stephanie Gilliam, Local Casting : Cate Praggastis, Production Accountant : Manon Lapointe, Propmaker : Patrice Jacques, Steadicam Operator : Francois Archambault, Unit Production Manager : Joe Dishner, Unit Manager : Paul Boutin, Visual Effects Art Director : Alexander Laurant, Steadicam Operator : Gary L. Camp, Camera Operator : Peter Hutchison, Music Editor : Emanuele Arnone, Makeup Effects : Adrien Morot, Visual Effects Producer : Raoul Bolognini, First Assistant Camera : Michel Bernier, Costume Design : Renée April, Rigging Grip : Richard Complaisance, Visual Effects Supervisor : Richard Britton, Casting Assistant : Bryan Riley, Visual Effects Coordinator : Erica Headley, CG Supervisor : Sean Andrew Faden, Production Manager : Daniel Auclair, Editor : David Brenner, Transportation Co-Captain : Spiro Tsovras, Visual Effects Supervisor : Greg Strause, Production Design : Barry Chusid, Loader : Amelie Duceppe, Utility Stunts : Nick Brandon, Post Production Supervisor : Jeffrey Harlacker, Boom Operator : Timothy P. Salmon, Visual Effects Editor : Michael Cavanaugh, Art Department Assistant : Una Martin, Special Effects : Neil Corbould, ADR Editor : Kerry Dean Williams, Orchestrator : Frank Bennett, Utility Sound : Schavaria Reeves, Set Medic : Jean Marchand, Author : Jeffrey Nachmanoff, Set Designer : Frédéric Amblard, CG Supervisor : Hans Uhlig, Producer : Mark Gordon, 3D Supervisor : Rina Strause, CG Supervisor : Andrew Waisler, Associate Producer : Lawrence Inglee, Location Manager : Kenneth E. Fix, ADR & Dubbing : Derek Casari, Art Direction : Michele Laliberte, Visual Effects Producer : Mike Chambers, Visual Effects Producer : Casey Conroy, Key Makeup Artist : Kathryn Casault, Visual Effects Supervisor : Chris Watts, Visual Effects Supervisor : Ian Hunter, Foley : Glenn T. Morgan, Co-Producer : Thomas M. Hammel, Sound Recordist : Dennis Rogers, Visual Effects Supervisor : Karen E. Goulekas, Hairstylist : Réjean Forget, Visual Effects Supervisor : Conny Fauser, Storyboard : Timothy Burgard, Visual Effects Supervisor : Jerry Spivack, Sound Recordist : Chris Walmer, Driver : Chris Haynes, Executive Visual Effects Producer : Marc Sadeghi, Set Decoration : Victor J. Zolfo, Supervising Sound Editor : Mark P. Stoeckinger, Script Supervisor : Sophie Boyer, Executive Producer : Stephanie Germain, Key Hair Stylist : Janis Clark, Set Decoration Buyer : Stacy Weddington, Costume Coordinator : Lyse Pomerleau, Art Department Coordinator : Nancy A. King, Sound Designer : Harry Cohen, Second Unit Cinematographer : Tom Yatsko, Second Assistant Director : Erik Ajduk, Camera Technician : Steven J. Winslow, Set Dresser : Louis Dandonneau, Construction Coordinator : Bruce Di Valerio, Sequence Leads : Jason Iversen, Roto Supervisor : Stephanie Taubert, Unit Publicist : Joe Everett, Production Sound Mixer : Douglas J. Schulman, Sound Effects Editor : Michael Kamper, Still Photographer : Kerry Hayes, Digital Intermediate : Lorene Simpson, CG Supervisor : David Prescott, Transportation Captain : John Bober, Stand In : Martin Brisebois, Makeup Artist : Sharon Ilson, Costume Supervisor : Kenn Smiley, Technical Supervisor : Irfan Celik, Casting : April Webster, Lighting Artist : David B. Menkes, Sound Engineer : John Bires, Matchmove Supervisor : Alia Agha, Digital Compositors : Sean Apple, Associate Producer : Kim H. Winther, Hairstylist : Kathryn Powell, Camera Operator : Francois Archambault, Visual Effects : Diane Macke, Visual Effects Producer : Petra Holtorf, Modeling : Yoshiya Yamada, Sound Recordist : Jon S. Trebilcock, Director : Roland Emmerich, Conductor : Blake Neely, Visual Effects Producer : Todd Isroelit, Visual Effects Supervisor : Remo Balcells, Pilot : Al Cerullo, Camera Operator : Bill O'Drobinak, Original Music Composer : Thomas Wanker, Visual Effects Producer : Jody Echegaray, Set Designer : Steve Cooper, Sculptor : Andrew Semple, Digital Effects Supervisor : Bryan Grill, Painter : Gloria Ciraolo, Sound Re-Recording Mixer : Doug Hemphill, Casting Associate : Scott David, Makeup Effects : George Tucci, Director of Photography : Ueli Steiger, Assistant Property Master : Eric Bardin, Color Timer : Michael Eaves, Property Master : Denis Hamel, Dialogue Editor : Daniel S. Irwin, CG Supervisor : Dagan Potter, Visual Effects : Kristen Branan, Makeup Effects : Sylvania Yau, Visual Effects Editor : Nicolas Anastassiou, First Assistant Director : Kim H. Winther, Set Production Assistant : Mariana Acuña Acosta, Rigging Gaffer : Gilles Fortier, Digital Producer : Andra Bard, Casting : Andrea Kenyon, Transportation Coordinator : Javier Gunther, Set Designer : Vincent Gingras-Liberali, Animation Supervisor : Danny Gordon Taylor, Makeup Artist : Elisabeth Fry, Visual Effects Producer : Michael Meagher, Producer : Roland Emmerich, Scenic Artist : Donald Beaulieu, Visual Effects Supervisor : Greg Anderson, Gaffer : Logan Leabo, Camera Operator : Alfonso Maiorana, Assistant Art Director : Camille Parent, 24 Frame Playback : Marie-Pierre Tétreault, Set Decoration : Paul Hotte, Lighting Technician : Stéphane Byl, Set Designer : Karl J. Martin, Lighting Supervisor : Chris Wells, Art Direction : Gerald Sullivan, Sound Designer : Randy Kelley, Camera Operator : Georgia Packard, Production Illustrator : Michael Meier, Art Direction : Martin Gendron, Production Coordinator : Danielle Boucher, Camera Loader : Charlie Newberry, Special Effects Supervisor : Louis Craig, Construction Foreman : Eric Lafrance, Set Designer : Alex Touikan, Construction Coordinator : Michel Brochu, Makeup Effects : C.J. Goldman, 3D Artist : Zack Judson, Script Supervisor : Kim Berner, Electrician : Paul Postal, I/O Supervisor : Ryan Beadle, Key Grip : Marc Andrus, Chief Lighting Technician : Jean Courteau, Video Assist Operator : Julie Garceau, Author : Roland Emmerich, Location Manager : Céline Daignault, Transportation Coordinator : Daniel Matthews, Property Master : Claire Alary, Supervising Sound Editor : Larry Kemp, Set Costumer : Arlynn Abseck, Executive In Charge Of Production : Vanessa R. Jordan, Costume Supervisor : Robert Q. Mathews, Grip : Joost Clerinx, Set Designer : Hugo Santiago, Art Direction : Tom Reta, Executive Producer : Kelly Van Horn, Supervising Art Director : Claude Paré, Third Assistant Director : Paul Drouin, 3D Animator : Jeremy F. Butler, Visual Effects : Michael Leung, Helicopter Camera : Steve Hertler, Stunt Coordinator : Branko Racki, Music Editor : Bob Beher, Second Unit Cinematographer : Anna Foerster, Camera Operator : Eric Goethals, Original Music Composer : Harald Kloser, Key Costumer : Valerie T. O'Brien, Sound Mixer : David O. Daniel, Executive Producer : Ute Emmerich, Set Designer : Caroline Alder, Camera Operator : Gary L. Camp, Construction Coordinator : Rejean Brochu, Carpenter : Jane Kilkenny, Dolly Grip : Alain Masse, Sculptor : Lucie Fournier, Negative Cutter : Gary Burritt, Stunt Coordinator : Charlie Brewer
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